{"id":738,"date":"2021-08-05T14:08:33","date_gmt":"2021-08-05T14:08:33","guid":{"rendered":"https:\/\/localhost\/?page_id=738"},"modified":"2023-07-21T15:13:28","modified_gmt":"2023-07-21T15:13:28","slug":"qa-mix-master","status":"publish","type":"page","link":"https:\/\/localhost\/qa-mix-master\/","title":{"rendered":"Q&A"},"content":{"rendered":"\n

MIXING AND MASTERING Q&A<\/h2>\n\n\n\n

Below are a few quick explanations of important questions one might have when collaborating with a mixing or mastering engineer. The answers are meant to make you comfortable with the vocabulary, rather than be in-depth explorations of each topic. There are a lot of great articles explaining these questions extensively and, if you’re interested, you definitely should google them.<\/p>\n\n\n\n

Why should I get a mixing or mastering engineer to work on my music?<\/strong><\/p>\n\n\n\n

The absolute foundation of mixing and mastering is a concern for the sounds in a song, track or piece. If you play an unmixed recording or production and compare it to a finished release of a similar genre, you’ll probably find that it sounds quite different – maybe some instruments are drowned, or the whole thing is really unclear, or the sounds simply aren’t as refined as in the finished track. If the composition and production are good, the gap in quality between a mixed and unmixed track can be astounding at times. That gap is exactly what mixing and mastering engineers do \u2014 take a raw recording or production, clean and balance it, and develop the sounds to serve its vision the most they can.<\/p>\n\n\n\n

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\nUnmixed Raw Tracks\n<\/h5>\n